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This is still a brilliantly campy time without the added bells and whistles, though. A marriage of haunted house spooks with Steven Spielberg’s sentimentality and big-budget craftsmanship, Poltergeist was a rare bona fide horror blockbuster in its day. Forty years on, it’s persisted thanks to the relatable nuclear family at its heart—not to mention scares suited to each character, and by extension engineered so that at least one of them can freak out any demographic in the audience. To horror aficionados, William Castle was and remains the god of gimmicks, often screening his movies with some kind of real-life novelty to add to the experience. In the case of 13 Ghosts, in which characters can only see the spirits with special goggles, he introduced “Illusion-O”. Basically, the audience wore 3D glasses where one lens showed the ghosts on-screen and the other didn’t.
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It’s not uncommon for a horror movie to be likened to a fever dream, but nothing in the genre quite deserves the comparison like House. This 1977 J-horror about a group of girls spending the summer in a Tokyo home is a psychedelic nightmare. Bright colors, manic editing, batshit set pieces, and a disorienting soundtrack by prog-rockers Godiego define this hellish fantasy, which, apparently, is intentionally mental to evoke the way a child would retell a traumatic experience. J.A. Bayona may be better known nowadays for directing Jurassic World, but his Spanish-language, Guillermo Del Toro-produced debut, The Orphanage, is still his masterpiece. Dark, depressing and packing some powerhouse twists, this tale of a woman returning to her old orphanage in an attempt to renovate it offers everything you need from a spine-tingling ghost story. It could well be worth prepping something more lighthearted to put on afterwards.
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Past tensions initially lead the viewer to believe that Randy will resolve the situation by killing Jack, but he instead turns the gun on Susan with Leslie yelling at him to kill her. Leslie grabs a knife and accidentally stabs Randy after seeing a hallucination of her uncle.
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Why Horror Movies Based in Haunted Houses Are Timeless - MovieWeb
Why Horror Movies Based in Haunted Houses Are Timeless.
Posted: Sun, 17 Sep 2023 07:00:00 GMT [source]
Detective Lucas McCarthy who has pursued the serial killer Max "The Cleaver" Jenkins for years, finally makes his arrest. Following his prosecution and sentencing to death, McCarthy is amongst those present at the execution. During the process, Jenkins promises revenge in his final words, just prior to being electrocuted.
Will there be more ‘House’ movies?
They’re about sex, lies and Access Hollywood videotape, about trust and betrayal, truth and division. They’re about democracy in America, where political feuds and vendettas swirl, guns proliferate and debates over civil rights are neither civil nor right. Because ghosts and other supernatural beings need a place to rest their weary heads, too.
On the surface, this 2020 British horror is about a South Sudanese couple fleeing to the U.K. However, beneath the hood, His House is also a powerful allegory for the trauma of war forcing you to leave your country and relocate to a new, indifferent, sometimes racist culture. First-time director Remi Weekes instantly established himself as one to watch with this debut, as did lead actors Sope Dirisu and Wunmi Mosaku. Devastated by the loss of his child and marriage dissolving, Cobb decides to move into his late aunt’s home to write an autobiographical work about his tour of duty in Vietnam. Over the course of a few nights, Cobb learns that the house he’s staying at is haunted and that his son may still be alive.
Russ Tamblyn, who plays Luke Sannerson—the heir set to inherit Hill House—in the film also appeared in one episode of Netflix's 2018 miniseries, The Haunting of Hill House. Rick (Ray Milland) and his sister Pamela (Ruth Hussey) make the spur-of-the-moment decision to buy a lovely seaside home, and, as a result, Rick meets and becomes quite taken with young Stella (Gail Russell). The Uninvited is one of the first full-length haunted house movies, making it a cornerstone model moving forward for all other films to follow. After an unforeseen auto collision ends with his death, Laurel finds herself a widow that must care for their daughter who is now paralyzed and wheelchair-bound.
The 40 Best Found Footage Horror Movies of All Time - Paste Magazine
The 40 Best Found Footage Horror Movies of All Time.
Posted: Fri, 01 Mar 2024 08:00:00 GMT [source]
House II: The Second Story (
The film follows the residents of a dilapidated old apartment building who find themselves having to deal with something much worse than poor infrastructure when their homes are overrun by an army of deadly – and rapidly reproducing – spiders. Their recently acquired home bought at a bargain price was built over an ancient burial ground. Directed by The Texas Chainsaw Massacre’s Tobe Hooper, this 1982 horror classic features swirling spirit vortexes, clown dolls crawling to life, and one terrifying scene involving a flooded swimming pool filled with floating corpses. The title of this movie is more than an understatement when it comes to these stubborn spirits who have been haunting this New England property since the 1800s.
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The movie cashed in on the found-footage phenomenon that 1999's The Blair Witch Project proved to be a potential gold mine. Paranormal Activity grossed more than $193 million worldwide, and it only cost $15,000 to produce. Steven Spielberg saw the original cut of the film prior to its release in which Katie dies, and convinced Peli to reshoot the more ominous ending where Featherston simply goes missing. While virtually every character — and performer — from 1942's Cat People returns, The Curse of the Cat People is, to this day, argued by most film historians as being a sequel in name only.
It’s a horrifyingly atmospheric thriller that’s torturous in its quietness, making every twitching curtain and figure walking across the frame a silent terror that will imprint on your retinas. The performances are all believable and fragile, the costumes magnificent and the color contrast striking. To this day, it is one of the most visually flawless (not to mention flat-out terrifying) black-and-white movies you will ever see. Every frame truly is a painting in this master stroke that’s waiting, begging to be recognized. We’re bending the rules here, since The Shining is more a haunted hotel movie than a haunted house movie. However, this Stanley Kubrick masterpiece is so genius that it deserves to be in the upper echelons of basically every movie list ever written.
An eerie country manor, spooky, sun-starved children, a mother who may be coming unglued. This gothic supernatural horror from 2001 terrified moviegoers with its otherworldly scares. Its isolated setting, spectacularly creepy conclusion, and Nicole Kidman’s haunting performance make this a must-see horror flick … perfect for a rainy day home alone.
While it’s firmly rooted in dark, zany comedy and not horror, Tim Burton’s Beetlejuice remains one of the great haunted house movies thanks to its focus on the expected tropes and how they twist when the perspectives get flipped. Reportedly, Burton’s first choice for the role of Beetlejuice was Sammy Davis Jr. If you want a haunted house story that’s not scary, and might in fact leave you buoyant with joy, look no further than this classic starring Gene Tierney and Rex Harrison in the title roles.
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